(2025)
for violin & piano 

Written for violin and piano, the piece experiments with two characteristics of notationalpractice to explore the gradient of interpretations by the performers. One calls for improvisatorymusic-making, inviting musicians to interpret text instructions and a visual image of a cyanotypeprint. The other consists of more fixed material written in the traditional notational system.The piece explores the dialogue between the openness of the indeterminate materials and thestructure of the fixed notation.